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D. Hart St. Martin

I make female heroes badass AND believable

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Writing

Sanity—Vastly Overrated

April 18, 2013 by D. Hart St. Martin Leave a Comment

I’m a mental case.  An antisocial, introverted, scared-as-shit-of-everything mental case.  And I find myself wondering if this isn’t a prerequisite for a writer.  Then again, there are some apparently very sane, very together people who write like crazy but aren’t.  Crazy, that is.

It really cuts into my ability to produce.  I’m saner when I’m writing on a regular basis, but getting to writing on a regular basis requires that I believe in myself.  I’m a mental case, for god’s sake; I never believe in myself.  Ah, the ambivalence of it all!

But here’s the thing.  I’m pretty good.  At writing, that is.  (Forget about believing in myself; never gonna happen.)  I write novels; I make short stories long.  I plot and plan and manipulate and finagle until the mix gels and makes magic.  I’ve gotten better over the years to the point where now I believe that my abilities as a novelist are pretty well set.  I’ll seek out critique when I’ve done everything I can on my own, and then I’ll send the second and then third books of my trilogy out into the world.

For you see, I no longer need to seek out validation from a whole group full of writers over multiple rewrites.  I’ve found my mojo, and I know my weaknesses.  Deserted, the second book in the Lisen of Solsta trilogy (see “A Taste of Deserted” below), is far from perfect now, but it will evolve under my hand, my watchful eyes.  I don’t have to stand up and shout, “Pay attention to me!” anymore.

And you know why?  Here’s why.  I sent Fractured, the first volume of Lisen of Solsta, out to two contests, and this week I received a review from one of those contests.  It’s only the first step of many in this particular competition, but Lisen and Fractured are moving on to round two.  I wrote a while back about how I decided to publish independently and then enter these contests so I could get a review from someone who had no reason to like the book.  And amazingly, my reviewer, who, indeed, doesn’t know me, not only gave me five beautiful gold stars (out of five) but also noted that I, D. Hart St. Martin, am her “new favorite author.”

Wow.

It doesn’t get any better than that.

Filed Under: Success, Uncategorized, Writing Tagged With: validation, winning, writing, writing contests

A Taste of Tainted

April 8, 2013 by D. Hart St. Martin 1 Comment

Thought I’d share chapter 1 of Tainted, the second book in my trilogy, Lisen of Solsta.  The first book, Fractured, can be found at Amazon in both print and Kindle, Barnes & Noble for Nook, and nearly every other e-book distributor (best search is my name, D. Hart St. Martin) or on Smashwords (a really great site for publishing electronic books in multiple formats–highly recommend it).  I have also blogged extensively about it previously.

Briefly, seventeen-year-old Lisen Holt only begins to realize that her life is fractured after a sorcerer abducts her from a California beach and brings her home to Garla. She awakens at Solsta Haven, a spiritual refuge from Garlan society. The sorcerer, Hermit Eloise, has returned Lisen’s body to its true form—that of a human-like marsupial. She then restores Lisen’s memories of her first ten years in Garla, leaving her earthly existence behind but not forgotten.

Although she is Lisen of Solsta now, questions haunt her—questions Eloise refuses to answer. Who are the parents who left her at Solsta? Why did Eloise send her to Earth? And what is so important about her that Eloise has manipulated so much of her life? The answers will propel Lisen into a quest for a throne, and all that will stand between her and her birthright is her matricidal twin of a brother.

The story continues in Tainted, book 2 of the Lisen of Solsta trilogy, when Lisen and Korin travel to Thristas in the hope of finding safety in the anonymity of the desert, beyond the scope of Lorain Zanlot’s spies. There, Lisen learns about the ways of the desert and its people. The Thristans see Garla’s Empir as less their so-called “Protector” and more an extension of those who forced them into “exile” in the first place. They suspect any Garlan, and in order to prove their commitment to the Tribe, Lisen and Korin must volunteer to participate in the spring Evennight fertility ritual of Farii. This night changes everything for Lisen, and she returns to Garla to finally face her brother with a brilliant but damning plan in mind.

CHAPTER ONE

BACK ON THE ROAD

Three days. Three freaking days of waiting, mostly alone, in this little stone room with no windows, not even a television. At least a TV would have given her something to look at. Not even a book to read. There were scrolls, and many had been offered to her, but they were all religious—hermit stuff—nothing that would have staved off the boredom. And the holder. Ah, yes, the holder. Nalin came and went, which seemed odd to Lisen because hadn’t he told her that the recognition of him, not her, could be their undoing? Maybe he’d found another hidden place, hidden from her but also from others. Regardless, he had his freedom, but not poor Lisen of Solsta. She was stuck; after weeks of possession with two souls locked up, inescapable, inside her, now her body was locked up instead. Damn.

And she hated this body. She’d tried. She really had. She’d tried as hard as she could to accept the lack of what she considered to be real breasts, to accept the fur on her belly and the pouch where a bellybutton should be. She’d gone along with all of their plans for her life, all of the things that they all found quite natural and normal, but the romance of it all had worn off and now she was left with just an ugly flat-chested, no-breasted, furry-bellied, open-holed body. Yuck.

“You know who would have loved this,” she said, standing up and pacing around, pontificating in English to the walls, essentially her only companion these last days. “Dad would have loved this. I remember him coming home—what was it? A year ago—all excited about something one of his physicist friends at Cal Tech had told him. About how there might actually be alternate universes, and maybe even portals through time and space. I remember him saying, ‘You know, Lees, science fiction may not be fiction anymore.’

“Did Eloise the Slippery tell me the truth about there being no way back? I mean, how does she know? What if I could go back? I could prove to the entire scientific community that there are other worlds with people just like us that you don’t need rockets to…get…to.”

She stopped. “Shit, if I went back there, I’d be the freaking ‘Kangaroo Girl.’ Great.”

She sat back down, wondering how much longer they’d have to wait for Korin to return. He was the only bright star in the dark night of what had become her life. The only thing worth sticking around for—her Captain Cutie. That and her eighteenth birthday, which, she had realized after making such a point of it with the holder, meant nothing in Garla. She’d already reached her “majority” at sixteen as far as they were concerned here. Made her wonder why her brother had waited so long to off their mother.

She froze at the sound of footsteps. Nalin was bringing their breakfast. After two days, she knew the routine. She’d hear him get up, pull on his tunic, and all the while she’d pretend to still be asleep. After a half hour or so, he’d return with a tray of food, the same sort of food she’d grown used to in her childhood at Solsta Haven. Despite the grandness of this place compared to the other two havens, the routine and the daily fare from the kitchen remained familiar. She was, however, denied the opportunity to actually participate in the routine.

The latch lifted, and she sat down on her cot and watched as Nalin pushed the door open with his shoulder, a tray in his hands, and then urged the door closed again with another touch of his shoulder.

“Good morning,” he said, as usual a little chilly this early in the day, and he set down the tray on the small table between them and settled onto his cot. “Sleep well?”

Every morning the same routine, as predictable as the haven in which they sat. Three “good mornings,” three breakfasts with Nalin eating very little and Lisen scarfing down all her stomach could hold. It was like she hadn’t eaten in weeks. No, wait, I haven’t eaten in weeks. She smiled at her little joke.

“Lisen?” Nalin asked, and she shared her smile, but not the joke, with him.

“Yes. Yes, I did sleep well. Thank you.” She scooted closer to the table, grabbed the worn wooden spoon, scooped up some of the warm oatmeal-like cereal and put it in her mouth.

“You’ve improved so much,” he commented, picking at the small chunk of bread he’d brought for himself.

“I have,” she began, but the cereal nearly got away from her and out onto her chin. She closed her mouth, wiped the little bit that had escaped to her lips off with one finger. She swallowed and then continued. “I have, haven’t I.”

She looked at him, saw him for the first time since their first encounter after the dispossession. When he’d walked in then to check on her, she’d already crawled into bed, exhausted and finally able to sleep. To her eyes he’d glowed like an angel, with his flowing blond hair and a smile that had broken through at the sight of her, sane, like sunshine through clouds. She shook her head. Enough, Lisen. You’re going all ga-ga, and you’ve got enough of that in your life.

“So,” she said to distract herself from the foolishness, “what happens once Ko…Captain Rosarel, I mean, gets back?”

“We’ll see when he gets here.”

“And until then, I’m locked up in here, the mystery person in the infirmary.”

This inspired a little snort from the young noble. A chuckle? Lisen wondered.

He brushed a loose strand of hair back behind his ear. “The less those hermits out there know, the better. What you look like. Why you’re here. Means they won’t be able to tell Lorain’s spies much of anything except that someone was here and now they’re not.”

“I know,” Lisen said. “You’ve told me before. You know what I think? I think it’s just to get back at me for the fact that you couldn’t ride with us to Halorin.”

She had hoped for another smile at this reference to his unwilling role as distraction to her brother, Ariel—the brother she’d never met but whose destiny would allegedly produce all sorts of evil if he were allowed to survive. Instead, she watched as Nalin closed up, his light blue eyes chilling to frost. Only then did she realize what she’d said; she’d reminded him that he hadn’t been there when Jozan, his good friend—and hers, too—had succumbed to a knife wound delivered by one of her brother’s spies. Or one of Lorain Zanlot’s, her brother’s lover. The two names were practically synonymous in her mind. The fact that Lisen had dispatched the spy, managing to survive; that Korin, her captain, had removed the threat of the first spy’s companion; that the secret of her existence had appeared to have survived intact—none of these things mitigated Nalin’s pain at the loss of his friend. Perhaps it was because only two weeks had passed between the time he’d found himself forced to adjust to the assassination of his mentor and Lisen’s mother, Empir Flandari, and the night of Jozan’s murder.

“Sorry,” she said softly, eyes down, staring at her food. She wasn’t very hungry anymore.

“No, no. Don’t be sorry,” he said, waving her off. “You’re the Heir-Empir and should never apologize for anything.”

He had no idea what statements like this did to her. It got her feeling all gooey inside, and not the good kind of gooey. She’d been the Heir Empir for how long? For her it had been barely a month since her return from Earth, and thinking of parentage, her parentage, always brought her back to the Holts who’d loved her and guided her and pretended they were her parents for seven years. And God, how she missed them. Stop it, she ordered herself and forced this painful thinking to a part of her brain that could cushion the hurt.

“So, what’s the plan?” she asked, moving on.

“I’ll be returning to Avaret, of course.”

“Of course. And me?” She knew the answer, sort of, considering that Nalin had let it slip that Korin had headed off to the desert as soon as he’d dropped her onto the cot where she now sat.

“You and Rosarel will head for Thristas. The captain has this idea that Garlan spies will find it difficult to trace the two of you once you’re over the Rim.”

Lisen nodded. “That’s what he thinks. What do you think?” Nalin and Korin hadn’t agreed on much of anything during the short time that she’d known them. It seemed that Korin prevailed because he came up with the more devious and, therefore, the more effective plans.

“He’s right,” Nalin replied. “Thristas is like another world. And although I wouldn’t say Lorain has no Thristan in her employ, I don’t know why she’d need one. Until now, of course.”

“Which means that it could take her time to find one.”

Nalin leaned in towards Lisen, and in his most intimate gesture ever, he touched one finger to her forehead. “Precisely.” He popped back, and she suspected he’d surprised himself more than he’d surprised her.

“That must mean I’m learning, my getting that,” she said in an attempt to move past a moment that had breached the current boundaries of their relationship.

He nodded. “You’re learning,” he replied.

Then, the awkward moment blew wide open, obliterated by someone bursting in through the infirmary door. They both looked to the door, and only as he slammed it behind him did Lisen recognize the intruder. Korin, she thought with a gasp. Then, “Korin,” she said, unable to look away from him.

“Yes, my Liege,” the captain replied, pulling a chair up and sitting down between the two cots—Nalin’s and hers.

She shivered. “What the hell happened to your eye?” She’d been aware of him with them in the carriage those last days before reaching Rossla, but she had never really been able to focus on him. She did, however, recall noticing something amiss, just not having the ability to identify it. Now she saw—a black patch over his left eye.

“An accident, my Liege,” he replied.

“When?” Lisen asked, needing to know now and not later.

“The night of Heir Tuane’s murder. It’s nothing.”

“Your eye?”

“Also nothing,” he replied with a wry grin. “It’s gone.” He shrugged. “I’m adjusting.”

“And like Jozan, it’s gone because of me?”

Korin sighed. He seemed uncomfortable under the glare of her attention. “Spies usually travel in twos, sometimes threes. That night there were two, and the companion of your assailant followed me when I left the inn. She fared far worse than I, so I have no complaints.”

“I’m…I’m so sorry,” Lisen managed and saw Nalin’s quick glare at the apology. If it weren’t okay for her to apologize to a noble, how bad must it be to do so to a lowly captain of the Guard? She didn’t care, and she shot Nalin an equally quick glare back, then returned to Korin.

“You seem more yourself, my Liege,” Korin said. Lisen noticed now that his face, with its streaks of grime, reflected a long, dirty ride, through the night most likely given his arrival so early in the morning.

“Nearly,” she replied.

“Then the possession…?”

“Jozan is gone,” she said, “three days now.” She spoke bluntly to avoid any confusion.

“Good,” her captain said. “That’s very good.”

Did she see a smile hinting at the corners of his mouth? Yes, she decided. Definitely a smile.

“Captain, she appears better than she actually is,” Nalin said.

“My lord, I’d prefer to hear it from her,” Korin stated brusquely. “My Liege?” He turned his attention fully on Lisen, and she squirmed a bit.

“I’m fine,” she stated flatly.

“Then let us discuss why I’m here.”

“I know why you’re here,” Lisen said. “You’re here to take me to the desert.”

“Aye, my Liege.”

The holder no longer existed—only this man of the dark hair, the dark patch over what once had been a dark eye. And something else, something in his manner she couldn’t define. A quickness of thought, not out of character, but more pronounced somehow.

“I think it would be wise if we leave today, immediately.”

“No,” Nalin declared, and Lisen turned to him, away from the enticing enigma with the missing eye, and she got the chilly eyes again.

“Nalin, I’m ready. The sooner, the better.” So much moving about. So many farewells to one place after another.

“You need more rest, more time,” the holder insisted.

“I don’t have more time,” she replied, her voice softened to soothe the holder’s objections.

“I’ve brought appropriate apparel,” Korin said and tossed the pack he’d carried in with him to her. She caught it and nodded. “The outer robes are for when we’ve crossed the rim. Besides that, you may wear whatever you please.”

“Thank you.” She wanted to thank him for his sacrifice, too, but she’d already caused him enough discomfort about it.

“My Liege,” Nalin pleaded, reaching a hand across the table between them to touch her arm.

She pulled away. “No. You said it yourself. The longer I’m here, the more vulnerable the hermits will be when questioned and the easier it will be for someone to know for sure that I was here, why I was here. I’ll be safer in Thristas.”

“Are you sure you’re able to travel?” Nalin asked. She could tell this was the last protest in his arsenal.

“I’ll be fine,” she replied. He looked so sad, and she couldn’t figure out why this moved her so.

“All right,” he whispered.

“Good. You,” Korin said, pointing at her as he rose from his chair, “get changed, and we’ll meet you outside.”

“Outside? Really? Outside?” She spoke with sarcastic enthusiasm, but neither of them responded. Nalin simply rose, and the two of them left her so she could change into traveling gear.

She dressed quickly, slipping out of the nightshift she’d worn for far too many days, pretending to be sick when she was not. Remnants of Jozan remained—she’d lied to Korin about that—but the effect was minimal. She couldn’t wait to get out of this room, out into the world again, even if what that meant was escape into the unknown of the desert.

Once she finished, she threw the pack and its remaining contents over her shoulder and stepped to the door. There she paused and looked back at the room. A small room, this prison of hers, but she had let go of Jozan here and been freed of possession—a miracle if she could believe what everyone else seemed to believe, that very few possessions ended well. Lisen knew she had been lucky that the Other smothering her soul had also been a woman of strong will. A woman who, in the end, had shown Lisen the truth of the man she would likely be obligated to marry one day. He wasn’t a bad man, this Holder Nalin Corday. He was rather good looking with his pretty blond hair and baby-blue eyes, and the sense of humor and the strength of character which Jozan had claimed he possessed had manifested themselves in the last couple of days. Sort of. Sometimes, though, Nalin Corday could be just plain boring.

Lisen sighed. One last look as she realized she would never forget this room nor what had transpired here. Too many deaths. This must end.

She opened the door and found the holder there waiting for her. They stood alone in the hallway, staring at one another.

“The captain and I have firmed up the plan,” he said. “He’ll fill you in.”

“How long will I stay in Thristas?” she asked.

“He’ll bring you back in time for the Council session in May. He hopes to have you prepared physically and mentally by then to confront your brother. He tells me you’ve grasped the skills; you just need more practice.”

“I’ve killed one man,” she countered. “What makes you think I couldn’t challenge my brother now?”

The holder shook his head. “You need to heal. Hermit Teran was very clear. The possession left you weak emotionally, and the enforced inactivity affected you physically as well.”

All bravado aside, Lisen was beginning to feel a little lightheaded out here in the world. Back there in the infirmary, just a door away, the four rock walls had provided her with a sense of inner solidity. Now, out where she might at any moment run into others, she felt disconnected from her surroundings, this hallway alone potentially more space than her still slightly scattered soul could manage. But she refused to let on.

“So Korin will fill me in.” Her words sounded hollow, unreal.

“Yes. And he’s assured me that he will let me know if anything happens on your end.”

“Sounds like the two of you have everything figured out.”

“Not everything,” Nalin replied, “but everything we could think of. It’s all subject to change of course.”

“Of course.” Then, silence. Lisen surrendered first. “Well…I guess I should be going,” she said, feeling there should be more to this, but there wasn’t.

“Yes, I suppose you should,” the holder replied.

She didn’t know what she was looking for. Some acknowledgement of what they’d been through together? A magical word that would make the prospect of spending the rest of her life in this wretched world less unpleasant because he was in it?

But the magic never arrived, and at last she simply nodded and stepped past him down the hall. She’d nearly made it to the turn when he called out.

“Lisen?”

She turned back, waiting. For the magic. “Yes?” She looked at him—this proud, golden holder of Felane with the deep blue eyes—and waited for him to speak.

“May One Be, Lisen of Solsta.”

Nope, that wasn’t it, but it was something, and it required a response. So, after a brief hesitation, she said, “One Is, Nalin of Felane.” Then she turned again and left him there, alone, in the hall.

Filed Under: Uncategorized, Writing Tagged With: adventure, fantasy, female hero, work in progress, writing

A Computer is not a Bicycle

April 3, 2013 by D. Hart St. Martin Leave a Comment

Well, of course, it’s not a bicycle, you think.  Whatever drug she’s on, I’ll take two.

Hold it right there.  Then tell me, oh, wise reader, why people of a certain age—yeah, my age, 64, or in that stratosphere—treat their computers like a typewriter.  Because a computer isn’t a typewriter either. 

“But,” those who grew up learning the qwerty keyboard in typing classes protest.  “But….”

Yeah, I know, the keyboard does resemble that familiar noisy manual thing of my teen years, and it places letters on a screen which can then be transferred to paper exactly the way they look on that screen.  But…A COMPUTER IS NOT A TYPEWRITER.

Case in point:  A few months back, a friend asked me to write a brief review of her current work in progress, and since the entire manuscript wasn’t fully prepared yet, she sent me a few excerpts.  When I pulled it up on my computer, I gasped.  Something odd had happened to what she’d sent me in the transition, and what I was looking at was a mess. 

I hit the show/hide  icon—you know, the one that looks like a paragraph symbol (it’s called a “pilcrow”)—on the ribbon in Word and was then able to see the source of the damage.  This brilliant, successful woman had committed  multiple formatting crimes, including inserting multiple extra lines she couldn’t see because they were blank and which only became visible with the show/hide on instead of page breaks which would have brought up a new page under any circumstances, not just with those particular margins.  But the worst—oh, my, my, my—the worst was using the tab key instead of formatting her paragraphs with a set indent.  I went screeching back to her e-mail and wrote back to her, advising her that she’d have less trouble with publication if she changed some of her manuscript preparation methods.

Only later did I hit on the real culprit.  Most of my contemporaries treat their word processing program on the computer like a typewriter.  You need an indent, hit the tab key.  You want a double space between paragraphs, hit the enter key twice.  My situation is different because I had my first personal computer back in 1982, and I learned to format everything with commands which I had to enter, e.g., typing in “Ctrl + B” (usually bracketed on either side by a symbol rarely used in the text, such as a double ampersand or two forward slashes), not just hitting Ctrl+B, for bold.  I couldn’t see the final product until I printed it out, and if I missed the second “Ctrl + B,” the entire document would end up in bold.  Surprise!

The same went for indents and spacing (single versus double, etc.), not to mention the amount of space between paragraphs.  You didn’t double down; you inserted a command to leave “X” amount of points in between. 

Those commands are still there, and the computer continues to read them; we just can’t see them in the text anymore because the technology has advanced to the point where we hit the commands and the text we see on the screen magically looks like what we set out to have end up on the paper.  But paragraphs must be formatted, not treated like so much ink impressed on paper by the keys of a typewriter.

And the biggest bugaboo is the tab key.  When advising others how to set up a file for independent publication, the first thing I tell them now is never, ever, ever use the tab key.  It is not your friend.  The tab key screws everything up because a computer is not a typewriter. 

It ain’t a bicycle either (in case you hadn’t noticed).

Filed Under: Uncategorized, Writing Tagged With: computer, formatting manuscripts, technical, writing

Through the Clockwork Glass

February 8, 2013 by D. Hart St. Martin Leave a Comment

A fellow writer recently blogged about how a nice girl like her could write the bloody, gruesome details of murder and mayhem in her crime novels.  No mystery to me, but I suppose it takes a writer to appreciate the magic which ensues at the death of a character.  Her blog got me thinking about my version of this journey into destruction.  How did a crazy girl like me produce believable scenes of the delusions and delirium of impending madness?

I call it the “Clockwork Orange” scene.  It’s the moment in my YA fantasy, Fractured, when the narrative finally fully explores the degree to which my hero is fractured.  Lisen has recently returned to her native Garla after seven years spent on Earth.  She has just experienced the horrific murder of her only friend in Garla, after which she kills the killer in order to save her own life.  That, coupled with a series of earlier heavy stressors, has weakened her reserves, and she slides into a pseudo-psychotic break, unable to discern the difference between her real life in Garla and her memories of her old life on Earth.

As she sits in a bath, washing away the blood and mud of the disastrous events of the night before, she slips softly into the persona of Little Alex from A Clockwork Orange.  Odd choice, that.  Not really.  A bath scene had occupied that space in the book for quite some time.  As I reworked the current draft to incorporate the earthly visit and its sequelae into the text, I realized as I approached this scene that Lisen’s situation and mental state were not unlike those of the movie version of A Clockwork Orange’s humble narrator  as he lounges in the bath near the end of the story.  Demoralized, demonized, disillusioned and, most importantly, feeling utterly alone, Alex sings “Singin’ in the Rain” to cheer himself up.  What a glorious picture.

This is my most-favorite-ever scene I’ve written.  I crawled out so far on the proverbial limb that my literary nose bled, and I waited for the thinning limb to break.  And in the first version, I did take a tumble.  But the members of the writing workshop I was attending at the time made multiple suggestions for how to engage the un-Clockwork-initiated more fully in Lisen’s plight, and I wrote them all down for later reference when I would return to it on the next pass through the book.

That pass did not come for nearly a year.  I kept dreading facing the scene again.  I’d promised myself I would make it work no matter what.  I loved the potential in that scene for setting the stage for Lisen’s temporary insanity while pointing out the value of both a book and a movie that I loved.  I arrived at the moment of truth only a few weeks after my mother’s death.  I was still numb, and the inner critic had fallen silent.  I feared any attempt I made to revive the potential at that point in time would fail for sure, but I faced it regardless, determined that when my workshop sent me home with renewed criticism, hopefully focused on more specific issues, I could keep reworking it until I got it right.

I followed all of their suggestions.  I started in a different place and then moved on to the old beginning.  I continued through the scene, tweaking here, finessing there.  Then with a pounding heart, I offered it up to my group for their reconsideration.  I read all twelve pages to them, and when I finally finished, I waited. 

Silence. 

Oh, I really fucked up this time, I thought. 

Then one woman spoke up and said, “I get it.  I really get it.”  And the rest went on to join her in their praise.  I had invited them into the heart of madness, and they had joined me.  I’m telling you, it’s the best scene in the book, but you’ll have to read nearly all of it to get there.  Best damn limb crawling I’ve ever done.

Filed Under: Success, Uncategorized, Writing Tagged With: creative process, risk taking, writing

Now it’s Personal

January 22, 2013 by D. Hart St. Martin Leave a Comment

His name was…well, his name’s not important. I never knew him.  He was the son of a cousin whom I also didn’t know, but I’m close to his aunt thanks to social media.  Early Monday morning he was murdered, shot multiple times, in the still, cold ache of night, and left to die in his driveway.  With a suspect in custody, the story will quickly slip out of the public’s domain to oppress those who loved him for eternity.  A shot ringing out forever in the dark.  A scream of death never ending.

I hate guns.  I have never been fond of them, but now I’m done with them.  It’s too easy to kill with them.  And I’m not talking about how easily they kill; I’m talking about how impersonal, how coldly distant the killing becomes when all it takes is standing 10, 20, 30 feet from the victim, holding up a piece of metal and squeezing one small moving part.

BANG!

See?  Didn’t cost a thing.

You confront someone you’re pissed at, for whatever reason, and if neither of you has a weapon, likely someone’s nose will end up broken, maybe a few ribs as well if the other guy is strong enough.  But it’s personal.  It’s intimate.

You stab someone with a knife, you can’t help but take a little of their blood with you, still warm from the cooling body.  You might even sense the last breath as the soul departs if you can’t get away fast enough.

But pull a gun, and the story’s over.  No contact with another human being to remind you that you’re both the same somewhere inside.  Just that little squeeze-bang-run.

Yep, I’m done with guns.

Filed Under: Gun violence, Uncategorized, Writing Tagged With: death, family, guns, political

For Naught or Not for Naught

January 20, 2013 by D. Hart St. Martin Leave a Comment

Many of my previous blogs have detailed the somewhat tedious task of prepping my book for publication, and at one point I briefly touched on why I decided to independently publish my trilogy.  But now it’s time to own up to the truth in full.  I really want to get read.

I have spent years attempting to convince agents and publishers to look at my book.  I wrote multiple versions of my query letter and synopsis, kept rewriting the book itself as I struggled to get it right, but the “Divinity that shapes our ends” refused to cooperate.  Through the decades the only “positive” rejection letter I ever received was the very first one.  Seems like a sign from the Divinity to me.

So last summer, after several new rejections in response to my latest endeavor at making a sale, I rejected the traditional publishing route in favor of self-publication.  In making this decision, I also committed myself to a singular objective.  I’d become aware of a contest that the online IndieReader was sponsoring, and completing the first book in the trilogy with an eye to the best presentation possible both in print and electronically grew into a necessity.  Lisen of Solsta: Fractured would finally receive a reading by someone with no reason to like it.

Let me be clear here.  I am not looking to win over a publisher or an agent.  I actually like, perhaps even prefer, the independent route to publication.  It has allowed me more control than any traditional publisher would have given me.  And I believe I’ve done a damn fine job of it.  What few readers I’ve reached thus far have blessed me with eight 5-star reviews on Amazon, and much as I believe each and every one of those stars was bestowed upon Fractured in absolute sincerity, they did come from people who know me and do have a reason to like it.

I have just completed a re-do of the Kindle edition of my book.  Although the print version looks fairly professional, the electronic version possessed some serious flaws.  Since (a) the best exposure for an author these days lies in downloadable data and (b) the contest requests a minimum of two manuscript submissions, one print and one Kindle, I had to get that Kindle version up to snuff.  With help from Smashwords.com, I created hyperlinks for chapters and made the text look as good as the best e-books I’ve read, and I’m feeling pretty good about that.

Now I only await the finessed hard copy from the publisher, and then I’ll complete the process by filling out the entry form and transmitting all materials prior to the deadline.  Then comes the wait.  I don’t expect to win.  In the fiction category, some contemporary tale of consequence will come in first, and that’s okay.

But if I can get that 4- or 5-star review from someone who has no reason to care, not only will it provide me with a new platform and, hence, more exposure, but it will also prove to me that all of this—the writing, rewriting, reconfiguring, proofing, reproofing, typesetting, in short, all that stuff I wrote about in earlier blogs—was not for naught.

Filed Under: Success, Uncategorized, Writing Tagged With: contests, fantasy, goals, success, writing

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