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D. Hart St. Martin

I make female heroes badass AND believable

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Seriously? You’re Going to do What?

March 21, 2015 by D. Hart St. Martin Leave a Comment

Here’s the thing. When I began the process of publishing my first book in the Lisen of Solsta trilogy, I came up with what I thought was a really great title—Fractured. That one word describes precisely the dilemma Lisen, my hero, finds herself in throughout the entirety of that book. At the beginning she believes she’s Lisen Holt, Valley girl, but by the end of the first chapter she’s been abducted to a world completely alien to her. And, it’s where she belongs. She was never quite human, and Simon and Daisy Holt were not her parents. Within a couple of chapters, she’s also learned that she’s destined to rule this strange world. Yup, she’s fractured, all right.

Silly me. I never thought to run a search on Amazon regarding my brilliant title. I mean, who else would come up with just “fractured”? I was brilliant, and it was a brilliant title, soon to be followed by Tainted and Blooded to complete the trilogy.

Then, as happens all too often, reality plunged its dagger in my heart and left me bleeding and gasping for breath. In the process of collecting many “likes” for my Facebook author page, I had returned the favor and found that I was now in the center of a maelstrom of romance novelists—not my favorite genre but, in my experience, the most popular genre for self-published books. And guess what. I started seeing a few “fractured”-like titles.  Fractured Vows, Fractured Love, Fractured Promises, ad nauseum. But I was committed to that title. I’d already published that book, and the rules are strict. Once the ISBN (International Standard Book Number) is assigned to a book, no one can change the title, the series name, the name of the author, the measurements of the page OR whether it’s in color or black and white. So…

I forged on. I commissioned the cover for the second book, again with a popular romance novel title, Tainted. I published that book, forever branding it with that name, then commissioned a new cover for Fractured. I moved on to book 3, which also has a fairly popular title, though Blooded as a title tends to fall more into the paranormal genre rather than romance.

You’re killing me!

Now some might ask (and have) that shouldn’t I stick with Fractured since romance is so popular? Not exactly. It all has to do with brand, in this case, the books’ brand. Lisen of Solsta is the story of a young woman who is equal in every way with any man in her world and as a female hero is an aberration only because she’s a hero, not because she’s a girl hero. If you run that search for “fractured” on Amazon, up come books with covers showing a phenomenal number of steroid-muscled men ravaging buxom, luscious-lipped women. That is the antithesis of my Fractured. Even if you narrow the search down to fantasy alone, the sexy-sexies completely overwhelm my feminist tome. Sigh.

What’s a girl to do?

It looks like I’m going to retire the three books as they are titled now and pull them off Amazon’s “shelves.” Then I’ll negotiate with my cover artist regarding what it will take to “fix” the covers. Once I’ve accomplished those tasks, I will republish with new ISBNs and titles for all three books. Of course, this all depends on whether I can come up with new titles that tell the story without sounding like someone else’s title and manage to retain the brand I so cavalierly and naively tossed into the romance fire the first time around.

And here’s the rub.  I will lose all the reviews, minimal as they are, that were posted under the old titles. But, on the other hand, it’s possible, maybe if I get it right this time, that more people looking for a book like my book will find it and not reject it because it sounds too romancey to them. Will I actually take this project on? Stay tuned. I’m sure I’ll have some complaining and explaining to do as I once again watch for falling rocks on the learning curve.

Filed Under: Self-publishing, Writing Tagged With: female fantasy, female hero, life lessons, writing, writing process

We Need a Hero Who Looks Like Us

February 23, 2015 by D. Hart St. Martin Leave a Comment

It began in 1977. Somebody…God, the Goddess, whoever…said, “Thou shalt,” and I did. Thirty-seven years later, and finally, I can say, “It’s done.”

I wrote a story about a girl with a mythical destiny. Along the way I learned all sorts of stuff—like, there is a male model of myth. Male heroes fight their way out of things, killing a lot of people along the way and making a huge mess which someone has to clean up, and you know who, right? Not that Lisen doesn’t fight; she does. Not that Lisen doesn’t kill; she has. But after every step I went through to get here (write a book, check; write more books, check; rewrite the first book, done; self-publish, start all over again, self-publish again, start all over again, all check; self-publish all three books for real in the end, check) I realized that something had to give.

Back in 2005 when Revenge of the Sith was released, a short documentary appeared on the extras DVD. It was called “The Chosen One.” In it George Lucas explained how Anakin Skywalker was, indeed, the Chosen One of the Jedi prophecy. As he showed us why this worked (something I already understood), he spoke of how Anakin/now Darth Vader lost some of his power with the Force when he was maimed to the point of near-death.

Wait a minute, whoa, that’s not how I see it. Power comes from within, not from the physical body.

Snap.

That’s it. Who came up with these myths—the ones on which we base all our fantasies and life-changing stories? They may come from myths from the times of matriarchy, but they’ve been redressed and retold for the profit of men so many times that they now follow the very-much-physical male model.

Snap.

So I asked myself, “Self, how can I change this? What must I do to take my female protagonist without female baggage from the point of being the ignorant-young-person-with-no-idea-who-he/she-is and turn her into the hero of a myth based on the power-from-within female model?”

Oh, and then there was this other thing. A reviewer of book 2 (Tainted) said, “In leaving her parents and childhood on Earth behind, Lisen has been forced to rise to the occasion and prepare herself to become the adult her empire requires. This transition parallels the mental and physical changes of puberty, and thus might especially appeal to the young adult reader.” – See more at: IndieReader.com.

Well, that was an assignment I hadn’t anticipated. I was the kid who, when asked what she wanted to be when she grew up, replied, “Peter Pan.” And I was going to have to make growing up look like a good thing? I sat back, considered where Lisen was going to end up at the end of the story. Did it play up the perks of adulthood, you know, the good stuff? What good stuff you ask? Oh, let’s see, responsibility, freedom that isn’t freedom, life choices that wring your heart. Yeah, that sort of thing.

Okay, so Lisen ends up…oh, wait, I can’t give that away. Not now, not ever. You have to read the books. But I looked at the ending, and here’s what I decided. There’s resolution to the turmoil she suffered throughout the books. Life ain’t perfect, but she’s able to look at what she’s been through with calm acceptance. And there are rewards for her hard work and commitment. Which is the way life is when you’re a grownup, if you accept being a grownup.

So, let’s see, given the mission of telling a story, with a female hero in search of a metaphorical grail, with an alteration of the traditional male-dominated paradigm of myth and with an ending that makes becoming an adult attractive, did I succeed? Only time will tell, but if you’re interested, read Fractured and Tainted, the first two books of Lisen of Solsta which are free until 2/26/2015, and then check out Blooded, the final volume.

Filed Under: Self-publishing, Success, Writing Tagged With: fantasy, female hero, success, writing, writing goals

Hello Thursday (observations of a day)

February 19, 2015 by D. Hart St. Martin Leave a Comment

What do you have in store for me today? I woke up in my usually usual sad-ass state of mind, so just about anything that happens after that has got to be an improvement.

Here’s what I should do today: Vacuum, laundry, scrub a couple of small floors, exercise, plan excellent meals with only healthy ingredients, get out in the sunshine, clean up my porch. And write oodles of pages on my new WIP.

Here what I will do: Write a page or two, maybe. Oh, and submit another blog post. Yeah, this one. Here.

What is it about life that stymies me? I look out the window of my office in my apartment, and I can see the busy street of a very small suburban town on the outskirts of Los Angeles. I wouldn’t exactly call it bustling. The Village of Claremont and its multitude of colleges is not a bustling kind of place. More like a tortoise than a hare. Which is to say that things do happen here, just not very quickly.

Back to life. And Thursdays. Why is Thursday important? I don’t know. Just happens to be the day we’re in at the moment. And I have promised myself to write a couple of blog posts a week. To keep the energy flowing. I am a writer, after all.

Across the street, it’s gardening day at the Claremont Manor. The lawn mowers fill the air with the never-ending hum of grass cutting. Now “Claremont Manor” sounds ritzy, doesn’t it? It’s a retirement community, and an expensive one at that. Takes up a long city block, north and south, east and west. Its visitors include at least two ambulances a day and their accompanying fire department vehicles—small two-person truck and a ladder truck, because heaven knows you might have to climb up to the second floor, and finding the stairway blocked, what do you do? Call in the ladder!  Which brings up a question which has bothered me for some time now. Why do they send a minimum of three vehicles and six or seven personnel to a trip-and-fall incident?

Well, hopefully I’ve primed the pump now. Time to get back to the book eking its way slowly out of my soul. Perhaps next time we meet, I’ll wax philosophical. Or I will offer sage advice on the writing of novels. Or maybe I’ll just ramble on like I did this time.

Filed Under: Life in general, Writing Tagged With: everyday life, writing life, writing process

Feedback from the Masses

February 16, 2015 by D. Hart St. Martin Leave a Comment

Must keep the blog going. That’s what they say. If you want to keep your platform steady, the blog is the way to do it. Well, god knows, I can’t tell my platform from my brand from a hole in the ground, but I’ll keep the blog active.

Next, I must come up with a topic. Shoot. What the heck do I write about? About the cat I had to euthanize last week? (No, too sad, and I’d really rather not go there.) About how my new work in progress is moving with starts and stops? (Probably not since I want to inspire people, not leave them wondering if a writer’s life is all that great.) Oh, I know.

Reviews.

First, my books are slow in picking up readers and reviews. Because of that platform thing, you know—my blog (and my Facebook page and Twitter and Google+ and, oh lordie, I can’t seem to do any of this right). Stop it, Hart. Back to topic.

Reviews.

Try again.

First, I appreciate every single review from readers. I feel especially moved by the reviews from strangers—you know, the people who have no reason whatsoever to like your book but they do anyway. (Which has been the case for me so far. Although I am waiting for that 1 star review that’ll kill me but say unequivocally that I’ve arrived.)

Reviews are the recognition spot, the point where the writer discovers whether or not they’ve gotten the story across. Did you get it? Because I really worked hard to set this, that and the other thing up so you—the reader—would say “ah” at the denouement. (And by the way, the denouement—or as I prefer to call it, the “punch line”—should be short and sweet. As a writer, I have to hit it and run.)

So did you say “ah”? Oh, good, you did.

Then, there are those who see my Lisen of Solsta trilogy as pure fantasy and adventure. That’s a tad disappointing, but maybe their subconscious hasn’t finished working it out. I’ll give them some time. And if they enjoyed my world building and the excitement of the chase to the end, then I’ve still achieved something.

Yes, reviews, like it or not, are a book’s barometer. They tell the writer whether or not she’s succeeded. So far, my reviews have told me everything and nothing about my achievement, but, as I said above, I do appreciate every review some reader takes the time to write. Because a review means I’ve touched something. (Or, maybe it means they’ve got their own egos in the mix. Either way, it’s good to hear back from people who otherwise would remain silent in their response.)

Thank you, Amazon and other venues, for opening the review process up to everyone.

Filed Under: Self-publishing, Writing Tagged With: book review, brand, marketing writing, platform, writing life

In the Beginning

January 25, 2015 by D. Hart St. Martin 1 Comment

What a few weeks it’s been. After avoiding the holidays entirely (except for the incessant ads on the television), I’ve managed to begin my new book in earnest. Even took the first scene into my writing group last week. The verdict? Well, that’s what I’m here to discuss today.

“Beginnings are such delicate times.” Thus did Frank Herbert write in his SciFi classic, Dune (p. 441, Kindle edition). And, oh, how very right he was. Where and how to open the story is one of the most critical decisions a writer must make in any writing endeavor, whether it be a novel, a memoir or an essay. In my case, it’s a novel, and although a great deal of the setting is well established, years and many events have intervened.

So, where did I begin? Did I begin with a moment of movement and the near-immediate introduction of conflict? Did I hand the reader as little back story as possible in order to avoid confusion as I have often cautioned others in the group to do? Hell, no. I wrote a scene with too many names, too many explanations—in short way too much detail—and not a hint of conflict. And boy, did my workshop come down on me. Hard.

They didn’t actually say, “This is not where the story begins,” because they don’t know what the story is. But they knew I’d dropped them into a maelstrom of TMI and not enough story, and they were none too happy about it.

Feeling a little defensive, I dutifully took notes, then started adding a few of my own as the light began to dawn. This was not the beginning. In fact, this particular scene had no place in the story at all. It turns out my tale begins with what was the second scene, with the addition of one character in order to complete the establishment of the moments I will call up for remembrance at the end.

And when I rewrote the new opening and the scene that follows it, everything came together like a piece of Ikea furniture when you finally figure out what that one diagram actually means. All the building blocks of a delicate but powerful story lay before me eagerly awaiting assembly. Now, the story begins. Let’s see what my workshop has to say about this.

Filed Under: Success, Writing Tagged With: beginning a novel, fantasy, writing, writing proces, writing tools

Thristas (long but self-explanatory)

January 8, 2015 by D. Hart St. Martin Leave a Comment

A NOTE FROM THE AUTHOR

Before I wrote Lisen of Solsta, I wrote an earlier version where most everything that happens in Fractured and Tainted occurred but in a different order and under different circumstances. In that telling of the story, Lisen (who was called Ann then) didn’t go to Thristas until after she’d become Empir. Instead, out of curiosity, she sent Korin to Thristas to observe and return with a report.

I never wrote the report down back then. I had a vague understanding of what it contained but never required it in the story telling. However, when confronted with the desire to make Thristas real, I decided to compose that report for my own use in preparation for writing what is now Tainted. Thus, what follows is that report as it might have been had Korin accepted the assignment to study Thristas on his Empir’s behalf.

AN ETHNOGRAPHY OF THRISTAN LIFE
PRESENTED TO EMPIR ARIANNAS ILAZER
IN THE FIFTH YEAR OF HER REIGN

by Captain Korin Rosarel

Located within only a few horizontal miles east of Garla, divided from its parent state by the Rim, a long, mostly impassable range of mountains, Thristas cannot be further from Garla in its atmosphere, its people, and the manner in which those people persist despite what Garlans perceive as ferocious elements. Thristans have, of necessity, adopted a lifestyle which makes it possible for them to live together within the close environment of a mesa, to avoid the heat of the day as much as possible and to survive on the meager supply of sustenance available.

How they got here, how they survive here, what they do here day to day—all of these questions have rarely been asked by anyone in Garla and never by an Empir. Garla’s residents are aware of Thristas, but they close their eyes to the reality of an entire other world in existence just over the mountains. The people of Thristas know they barely exist in the minds of Garlans, and they grow weary of the ignorance of their westward neighbors. Few Garlans know how people ended up in Thristas; even fewer care. Thristas is a little itch on the arm that is the “greatness” of Garla.

It is foolish for Garlans to be so cavalier about a larger-than-they-think population of strong and willful people. One day a charismatic leader will rise up and guide the Thristans to a violent fight for their independence, either by pulling away from Garla entirely or by overcoming an unprepared Garlan Emperi Guard and wresting control of Garla from its Empir. We need to understand our neighbors to the east, to communicate with them and to recognize that differences between us exist but that those differences do not define better or worse. To accomplish the first of these tasks, I spent an extended length of time living in Mesa Terses, one of the six mesas, and now present my findings to my Empir, Ariannas Ilazer.

Your captain and defender,
Korin Rosarel

The Story:

The Thristan Story is entirely verbal. The people use writing sparingly, not all can read, and the written word barely exists in Thristas. If writing is necessary, Garlan is used more often than not. Therefore, as with all oral-only tales, there is some basis in fact, but I question portions of the account. I will, however, note my doubts when applicable.

“The People,” as they call themselves, speak of arriving in the desert an age ago. By my estimation, they most likely made their way over the mountains from Garla. They speak of it as “coming home” although I doubt those first settlers saw it that way. (See Geography, topography, weather below.) They did not come willingly, of that I am certain. “The Destroyer sent us away as punishment for our willfulness and our pride. We left behind our homes, our families, all that had once meant life to us and followed the Maker to a new life,” the oral tale informs us. I believe this refers to a marginally documented moment in the Garlan Story when Empir Osificant exiled a large group of citizens after they had questioned her right to force their young people into service to her, either in the Emperi Guard or as servants to her and/or other nobles. This occurred approximately 750 years ago and correlates well with the refinement, complexity and signs of age in the excavated tunnels within Mesa Terses.

Many of The People died in the first years. They found shelter in the caves on the east side of the Rim, but water and food were scarce. Some ventured out and discovered that the mesas could also provide shelter in caves with connecting tunnels, with the added advantage that many small desert creatures had long ago taken up residency in those caverns, far more than they’d found in the Rim’s caves. They also found water, funneled in from above, preserved in enclosed lakes for “longer than forever.” They made the trek to Mesa Terses, the closest mesa to their original arrival point, and settled there. They learned they could grow some meager crops on the mesa’s crown, and as the population regenerated, they moved on to the other mesas one by one so that today they occupy all six within sight of the Rim.

Geography, topography, weather:

Thristas is a desert. The rain that showers Garla rarely makes it over the Rim, leaving Thristas hot in the daytime, cooler than anyone in Garla would imagine at night, and dry as a bowl of water left out in the sun too long. One would expect that, in such an atmosphere, no plant life could survive at all, but that is anything but the case. One glance from the top of the Rim reveals an expanse of tawny brown with sprinklings of green. What are these hardy plants that survive without water for months on end? They are vegetation that can store deep within what little water is provided to them, protecting the precious resource within a usually tough exterior. Some of these plants also serve as nourishment to the Thristan people; one in particular has become the most important source of income for The People. (See Economy below.)

The mesas, six in all (the above-mentioned Terses, along with Orul, Tebu, Ves, Diri and Eres), are the most outstanding topographical feature of Thristas. Without them, The People would not have survived their exile. They are, in most cases, named after their original leaders, those who guided their small bands of people, soon to be known as tribes, as they broke away from the original Tribe of Terses, which was itself named after the woman who lead The People over the Rim.

Each mesa is riddled with a multitude of labyrinthine tunnels which Thristan children run through when allowed to play, and thus The People learn how to navigate the mesa without getting lost. The children are taught early not to wander the tunnels alone so that if one gets lost, there are always others who can report them missing and guide the searchers to the last place the child was seen.

It might seem to those raised in the bright sun and fresh air of Garla that life in such an enclosed space could prove daunting, but surprisingly, it is not as uncomfortable nor as claustrophobia inducing as one would think. Larger chambers, some natural, some hewn out by The People over time, serve as meeting rooms, dining areas and, in the case of every mesa, a large “Elders’” chamber near the very top of the mesa. In Terses, this chamber, as well as the Pit where emerging children are welcomed, already existed, and the tradition carried forward to the others where such a chamber had to be dug out of solid rock. (For more on the Elders, see Government below.)

Government:

The People are led by the Elders’ Council of each mesa. As the name would imply, these are older individuals who must reach the age of fifty before being invited to join the council. Not an easy task given the rigors and dangers of the desert. And age is not the only criterion for membership. Once the council determines that they will invite a new member, that individual must survive the Elder’s Trial in which she or he must spend a night alone on top of the mesa under the influence of a plant called yafra which heightens awareness. Nearly half of the candidates fail, dying before they can return.

Although the Elders’ Council would appear to be egalitarian, usually a leader emerges, never acknowledged as such but recognized by each and every member of the Tribe. This leader serves as touchstone in all arguments amongst the Council members. Considered the wisest in the Tribe, the leader guides and encourages movement towards compromise in any dispute in or outside Council without thrusting an opinion into the fray.

Economy:

The People do not possess their own coinage. They use Garlan marks when necessary in commerce with their western neighbors, but they barter amongst themselves—trading work for food, necessities for services, skills for training—and rely as little as possible on Garlan trade. The item of greatest value, however, is water. It is revered, preserved and stored in caverns deep inside the mesas (see above in The Story). When it rains in the desert, all the mesas generally benefit, their funnels channeling the gift from Mantar into the pools. Occasionally, though, one mesa may not lie in the path of the storm while another benefits from the slow movement of the clouds laden with the much-needed liquid. At these times, water is transported in wagons hauled from one mesa to the next, and a record is kept by the Elders of the transaction. Water is too valuable to just give away.

However, The People do cultivate one commodity for which Garlans are willing to pay and pay well—malla. Malla only grows on the mesas’ crowns. It survives there somehow, exposed constantly to sun and wind, no water to speak of. It is, in fact, the only vegetation native to the crown. It has thick, heavy stalks (one could hardly call them leaves), and the liquid preserved within these stalks can be dried into a grey paste which is then rubbed on the gums. It produces a euphoric effect, slightly dream like. It can also heighten awareness of sight and sound as well as open up the user’s inner sight. It is for this reason that few Thristans partake of this drug. As a group, they believe that anything that even approaches the sort of powers that the Garlan hermits possess cannot be trusted (see Spirituality below). In addition, malla possesses addictive qualities, and The People abhor the lack of discipline addiction fosters.

“The People” and their culture:

There are Garlans, and then there are The People. The People understand the Garlans only a bit better than the Garlans understand the Thristans, but the truth is that neither knows much about the other. They’ve lived separate from one another for so long that fear of each other seems to be the only commonality they share. The People follow an unwritten creed of honor and commitment. When a Thristan makes a promise, it is an absolute obligation.

The mesas are divided into levels, and each level defines a group of individuals and families of anywhere between 25 and 50 people. They share meals and friendship, and although they identify themselves as members of their mesa, they remain fiercely loyal to the people in their level. Oftentimes, people from different levels have little contact, so little, in fact, that they wouldn’t recognize each other outside the context of the mesa. The citizens of each mesa are considered to be the mesa’s Tribe. The population of each mesa can number into the tens of thousands. The mesas, when originally occupied, contained many small caves suitable for living quarters, and hundreds more in each mesa were hollowed out by the early excavators.

The People are nocturnal due to the difficulty of performing tasks in the heat of the desert day. They rise just before sunset, eat their first meal of chardhoosh (a sweet grain product eaten dry and washed down with the bitter alk), then go about their tasks. Even those who have duties inside the mesa follow this schedule which they have followed for centuries. Each level gathers again just after sunrise to share dinner, which is usually a stew made with the kerl bean which comes from a hardy vine than can survive and produce with little water.

The People see life as a never-ending ribbon of many colors, twisting and turning, filled with many knots. Sometimes the knots can be released; other times there can be no untying, and one must find a way past without falling off the ribbon. They weave ribbons through the long braids they wear. These ribbons are made of the silk produced by the everfly caterpillar, the glow moths that fill the summer nights each year, and then they are dyed a multitude of colors. Each house, or family, has adopted a color as its own, and each color has meaning. When a child’s hair has grown long enough for braiding, one ribbon bearing the color of the house of its pouching is introduced into the braid. If, for some reason, the child chooses not to acknowledge a house of origin, a black ribbon of one-without-family is worn. When the child becomes an adult at 16, they can choose to add a ribbon of their non-pouching parent’s house.

As well as signifying a house, colors also represent strengths and attributes, and new ribbons are constantly being added to a young person’s braid as they mature and reveal their truths. These usually become a permanent part of the braid. Then there are colors as symbols of a current situation. Joined or unjoined, pregnancy, pouching, parent of an emerged child, loss. I will not list every color here, but it should be noted that a house’s color is usually tied to its perception of its attributes. For example, orange, which can mean heat and fire, might be applied to a house whose members are thought to be temperamental.

Spirituality:

The People revere an entity know as Mantar. Mantar is a two-faced deity, both the Maker and the Destroyer. They recognize that their lives are filled with duality, and, therefore, their guiding spiritual force brings both life and death, peace and war, joy and grief, love and hate. Neither aspect is considered better or greater than the other. Mantar represents the equal forces pressing in upon The People every day. They scoff at the one thing all Thristans seem to know about their Garlan neighbors—their belief in multiple Creators and but one Destroyer. The People wonder at the power of the Garlans’ many over the One, at the inherent optimism and apparent naivety of that inequality.

As a group, The People believe that anything that even approaches the sort of powers that the Garlan hermits possess cannot be trusted. They fear the hermits and once attempted to find a way of limiting their powers, but their plan backfired on them.

The people celebrate four high rituals each year. These correspond on the calendar to the four Garlan holy days. What the Garlans call Evennight in the spring, the Thristans celebrate as the Farii. It is the night of fertility when several young couples (newly joined or about to be joined) ascend to the mesa’s crown, and there they wait for the manta (a snake which symbolizes Mantar) to choose one of them for the consummation of the ritual. It is hoped that the couple will conceive and thus guarantee the fertility of the entire Tribe for the next year.

Garla’s Greatday is called Arii in Thristas. The Thristans rise to greet the setting of the sun late in the evening and then spend the night dancing and singing to praise Mantar the Maker in the form of the rising and setting sun and welcome the night back as the days begin to shorten. This, of course, is in opposition to the Garlan farewell to the sun as it leaves them in darkness.

In the fall, when a child conceived in the Farii is likely to emerge, the Thristans gather in a chamber called the Pit. All infants emerge here surrounded by family, but on the day of the Holii, the Garlan autumn Evennight, the best outcome is a Farii child emerging with the entire Tribe in attendance.

Finally, and perhaps most significant, is Kolii, in which the Thristans grieve and remember those they’ve lost that year. Unlike the Garlans, they mourn rather than celebrate the return of the sun.

CONCLUSION:

Life in Thristas is difficult and complicated, and the Thristan people do not trust strangers easily. They do, however, know that life must be lived today, not tomorrow or yesterday. They face too many potentially destructive challenges not to appreciate the value of the moment. They wish for independence but have not yet organized themselves to seek it out. I would recommend extreme caution with these people. They are fierce and could very likely best us in battle.

Respectfully submitted,
Korin Rosarel, Captain, Emperi Guard

Filed Under: Writing Tagged With: adventure, back story, fantasy, writing process

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